In a totalitarian future, in a nightmare metropolis, inhabited only by criminals and police, Erik Lonnrot, a gifted detective, investigates a series of strange murders and disappearances that seem to implicate a insane crime lord. (Re-released in 1996 as a feature film, 86 minutes.)

Secluded for ages inside his tower, a Knight is awoken from his slumber by a mysterious whisper.

In a European city agitated by racial unrest, a powerful tycoon must face the only thing he cannot deceive or corrupt: death. Meanwhile, a detective tries to find the woman he loves, and, at the same time, an innocent young woman follows him with the crazy purpose of bringing her son, who has been killed in the crib by a gunman, back to life.

After an attempt to escape the SS in 1939, Kazimierz Piechowski is captured at the Hungarian border and sent to Auschwitz where his role is to transfer corpses from the gas chambers to the crematorium. After discovering that one of his friends in the camp is on the execution list, he vows to stop at nothing to prevent his death. In one of the most remarkable true stories of World War II, four men will risk their very lives as they attempt to ‘Escape from Auschwitz’.

In the late 19th century, Mack, a heroic outlaw who stole from the rich to give to the poor, was loved and respected by the people, but he had long been a difficult case for the Yard. With the help of Sherlock, detective Gordon Gorilla Riller and Carlson Fox finally managed to catch Mack at his daughter Katie's birthday party. But Sherlock was then reviled by the people for arresting their hero. Four years later, Mack fights with the notorious Scarface in prison, and then climbs over the wall to escape. While tracking down Mack, Sherlock discovers Mack's heart-breaking reason behind his escape, and decides to let him fulfill his final wish before he would voluntarily surrender to the police. However, Scarface suddenly appears and kidnaps Katie. Sherlock and Watson team up with Gordon Gorilla Riller and Carlson Fox for the rescue. A battle between life and death is unfolding.

An artist grows distant from his new wife as an irrational fear of premature burial consumes him.

In British-occupied Nigeria, a Yoruba king, the Alafin, has died, and it is the duty of his horseman, Elesin, to accompany him into the afterlife. While lustily enjoying the pleasures of this world, Elesin proudly anticipates his transition to the next – but the sacred ritual is interrupted, resulting in unforeseen tragedy. Inspired by a real-life incident, this masterpiece from Nobel Prize winner Soyinka celebrates a community striving to uphold its culture in the face of colonial power.

An unfinished game of Chess of Death from five hundred years ago was said to hold the clue to a buried treasure and Lin Shuang Sword was the key to the game. Anyone who could finish this game would obtain enough wealth to take over the world. Five hundred years later, Ren Qian Xin was ordered to find Lin Shuang Sword. Ren was madly in love with Liu Yi Yi. But the woman's heart was on his honorary brother, Yan Cang Feng. The despaired Ren challenged Yan to the Chess of Death.

The Hunger is a British/Canadian television horror anthology series, co-produced by Scott Free Productions, Telescene Film Group Productions and the Canadian pay-TV channel The Movie Network. Though it shares a title with the feature film The Hunger the series has no direct plot or character connection to the film, and was created by Jeff Fazio.Originally shown on the Sci Fi Channel in the UK, The Movie Network in Canada and Showtime in the US, the series was broadcast from 1997 to 2000, and is internally organized into two seasons. Each episode was based around an independent story introduced by the host; Terence Stamp hosted each episode for the first season, and was replaced in the second season by David Bowie. Stories tended to focus on themes of self-destructive desire and obsession, with a strong component of soft-core erotica; popular tropes for the stories included cannibalism, vampires, sex, and poison.

A feature length, eight part documentary that covers everything from pre-production to adapting the source novel to casting to shooting to post and marketing. This is an amazing in-depth piece and it's notable how many women were involved in this production, from several Lionsgate executives to novelist Suzanne Collins herself. Jennifer Lawrence talks about her "hypocrisy" in not wanting to do a big budget blockbuster after having devoted herself to indies (despite X-Men, which she seems to discount somewhat). There's also a nice sequence on the strength and weight training the actors went through and the stunts that are so notable in the film, as well as having to dance around the violence implicit in the story due to the planned PG-13 rating the filmmakers were aiming for.